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An alarming Deadline piece earlier this year suggested that for financial reasons, Netflix prefers its shows to last only two or three seasons, with few exceptions ( Stranger Things, obviously House of Cards, maddeningly).
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Netflix is developing a nasty reputation for touting its diverse programming only to cancel those shows before they realize their full potential: See the throwback sitcom One Day at a Time in March and the surrealist Ali Wong–Tiffany Haddish animated series Tuca & Bertie in July. The camaraderie is mostly subconscious, and all the more infectious for it.
Yet more memorable is a quick shot of Sheila the She-Wolf (Gayle Rankin) huddling for warmth beneath the coat of Tammé the “Welfare Queen” (real-life wrestling veteran Kia Stevens) outside the casino during a fire alarm. We kick off this season with the gang recoiling in black-comedic horror from the Challenger explosion that coincides with the Vegas show’s opening night. But the ensemble, now closer to 25 characters deep, thoroughly dominates the show, to the point where GLOW’s tiniest gestures outshine its grandest ones.
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Here in Season 3, our heroes are still professional wrestlers, with all the chokeholds and pitiless racial stereotyping that implies Ronald Reagan is still president, and neon and synth-pop still reign supreme. to Vegas is a flukey last-ditch effort to keep the band together.) (Last season ended with the trashy but lovable show-within-a-show cancelled the fictional GLOW ensemble’s move from L.A.
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Season 1 (wacky misfits become pro wrestlers) got a lot of attention and deserved it Season 2 (wacky pro wrestlers further blossom into three-dimensional people) was deeper and thornier and even better, in large part because it resisted any notions of cheap “Girl Power” triumph. The show premiered in 2017 with a flashy premise (spandex + suplexes + a disregard for the male gaze, unless you count Marc Maron looking downtrodden) set in, thanks to Stranger Things and Dark and so on, Netflix’s preferred decade. GLOW stars Alison Brie and the since twice–Emmy nominated Betty Gilpin but quickly established itself as a 15-deep ensemble flex. The fewer literal leaps off the top rope it takes, the harder it hits. What’s doubly striking is how GLOW only keeps getting better as it gets quieter and subtler and more insular. Most of the show’s third season is just people chatting (or fighting, or fucking, or playing the “fake flute” while stoned) in era-appropriate but otherwise unflashy hotel rooms.
But mostly it’s a testament to how vivid and magnetic its ragtag troupe of female wrestlers have become, to the point where you’ll gladly watch them do anything, anytime, anywhere. Partially that’s a matter of location: Given that parts of Vegas remain stuck, aesthetically and socially, in the ’80s, the casually stupendous Netflix comedy series, created by Liz Flahive and Carly Mensch, feels less like a period piece than ever.
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They are Superheroes,” said Buss.A striking thing about Season 3 of GLOW, in which the Gorgeous Ladies of Wrestling descend upon the garish 24-hour buffet of 1986 Las Vegas, is how little wrestling transpires onscreen, or for that matter how few jokes about the garish 1980s the show feels compelled to crack amid all that not-wrestling. “The women of WOW are some of the strongest people I’ve ever met in my life, and you can feel that strength as you watch them do things ordinary human beings cannot do. The promotion is a passion its owner, Lakers owner Jeanie Buss, who compares the performers to comic book heroes like Wonder Woman and Super Girl. The athletes are dynamic and perform high-impact (potentially dangerous) moves that have come to define women’s wrestling as it has grown in polarity thanks to major promotions like the WWE. The shows have a modern look and feel with a live audience and strong production values. The promotion though is hardly a throwback to the 80s. WOW, which stands for Women of Wrestling is a modern all-female pro wrestling program was launched in 2000 by GLOW architect David McLane.
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If you liked the Netflix series, GLOW, which takes viewers behind the fictionalized version of the very real women’s wrestling promotion of the 1980s you will probably want to tune into the new offering on Pluto TV “WOW”.
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